Mara Adamitz Scrupe
My interdisciplinary visual art, filmmaking and poetry practice engages environmentally attuned and socially engaged ideas and themes in hybrid projects such as handmade books composed of drawings and photographs of native plants and animals and combines them with poems about my life on my farm in the James River / Blue Ridge Piedmont region of Virginia. My poems about plants and animals and our human relationships with them emerge from researching their natural propagation, growing conditions and habitats, plus uses and meanings in folklore, social rituals, and in historic and present-day vernacular medicine. My writing straddles the global and the personal emerging from observations in the natural sciences, social histories, geology, biology, horticulture, and human ecology – alongside my fascination with fugitive artifacts and remnants of material culture. From the northern forests of Minnesota where I was raised, to the political, social, and animate landscapes of Virginia where I’ve lived for many years, my poems are infused with a sense of place and geography gleaned from experience. I’m intrigued by the ways in which nature serves as a locus for human ecology: how societies express, through their use and treatment of land, plants and animals, crucial attitudes and valuations in cultural markers and materials such as food production and cooking, clothing, weaving and needlework, and rituals surrounding farming, hunting, and fishing. I strive to reveal how we as thinking animals are shaped and changed – emotionally, socially, and spiritually – by our interdependencies and interactions with the natural world.
the River the Light & the History of Everything/ & Yet/ & Still
Being human signifies, for each one of us, belonging to a class, a society, a country,
a continent and a civilization; and for us European earth-dwellers, the adventure
played out in the heart of the New World signifies in the first place that it was not
our world and that we bear responsibility for the crime of its destruction.
– Claude Levi-Strauss
- let us breed
ecstatic in knowing/ in light of surrender make
unanimity with the magic that binds us or go straight apart
from bounding to that universe of stars or tucked in our beds
in sullen dream state disavowing
or reckoning with what makes us & no noise
at all but shifts our chairs into forests’ flames or toppled
surging waters engulf us & indominable waves complete
our comprehension alongside submerged
& blind to this tiny world’s crisis – while some of the richest
rocket up & away/ anticipative –
& as to fiery hills beyond bluffs
engendered & measured by our puerile cravings / our codes
standards & expectations so that even cosmic radiance
– traveling the ferocious speed of eleven million miles
a minute –
takes hours & weeks & months & years to cross
the divide of perception & understanding & politics & yet
beasts & vines & flowers & lichens & mosses on stones – this watchful
republic this elemental terrain of enchantment/ meta-animism
if we’re paying attention – articulate passions as magistrates of carnal
justice when pragmatism in our catholic conscience
falls so far short the mark & will we eat
their flesh & build our house from living
boulders & bones – in calcium substrate – rest our shoulders
against slain bodies post-hunt
sans thanksgiving – blessing in our trespass our oblivious
invasion overwhelming burrow & den & nest or more broadly
in the burdening melt of rising tides
///
still I’m not weighing in against the killing of one animal
to sustain another nor truly the casualties
of destruction for our world will continue
without us & I’m not & you know we’re all
///
& yet we are cadence upon cadence/ we do neither
evil nor good nor is there
morality in pulse & tempo – the true sin done
is with disregard – but permit us prayer for those creatures
that bear us up comfort & shore us
Even if technical or medical hurdles remain, wouldn’t you be happy to go to Mars?
– Jay C. Buckey, for The Scientist, Volume 19, Issue 6, 20, March 28, 2005
- & in our solar system we’re dwarfed
out of recognition
at six thousand million miles from here to the farthest known
planet – to Neptune’s orbit – except we consider
by the distant stars the puniness of our own frail Copernican
complex – its planets & movements – notwithstanding today’s good
news from the Summit/ rich nations send strong signals
to the poorer as asylum seekers flee floods & droughts & tribal &
religious wars still some walk out in moonless night
looking up up to star shine
that keeps & survives living on its own rays
///
* there are two thousand colors attested in an atom of light *
* the same hues prevail in an iron bar warmed in the lab *
– & so a common chemistry & physics cuts through
everything & light is as fundamental to celestial bodies as clay
is to Earth –
yet historiography runs a linear path so
historians tell us & we should know we’re the product of step-by-step
of three-aeon degrees of pre-history
* Iron Age follows Bronze follows Stone *
* & my grandfather– a boilermaker in his prime – builds locomotive engines *
* & once I welded sculptures from plate steel *
& yet returning to the Milky Way’s twinkling
spine – travelling five thousand years to reach us – I hear a reporter ask
& a woman answer: if I stay here in my country I will die
& my children
& she maps & plans & plans
& she hopes & prays & plans & dreams & she keeps on
& just last year we decided we’d send people
to Mars within thirty years & as for dangers of galactic cosmic
radiation/ atomic nucleic energy in space
mostly ricochets off
earth’s magnetic field but such divergence is lost in interplanetary
travel leaving spacecraft unprotected & impairing our nervous
systems everyone shining so hot glowing by their own luminescence
& will we
spill our fevered brilliance into space in abundance just as polished
stars pour out hundreds of millions of tons of light
every second & in the terror of our burning planet
will we welcome
all risks/ departing this wrecked old
& giving in the fallen/ in rising heat & pressure subjacent
in polyphonic wrench & relief
– puffing the surviving tiny spider from the tip of a finger –
if it’s not already too late/ solstice sun blazing
will we learn mercy
early as mercy’s adjured – ransom our own breath –
& will we safeguard our necessary devotions/ & quench the warrens
of our thirsty human hearts
Part of the terror is to take back our own listening, to use our own voice, to see our own light.
– Hildegard of Bingen
iii. & in Buckingham County at Union Hill
a fine little town held off
a massive polluting pipeline compressor
station on the very land on which generations of ancestors
slaved & later settled backed by long memories of February 25th
1869 when arsonists burned our courthouse & destroyed
enslavement records & any proof that those captives those
letter day pilgrims ever even existed
///
but listening with clear vision / sort a stock-taking elevated
& alive in infernos raging the night’s labral bowl
in gemmed brilliance fill us listening listening
to the dawn’s grained rapture / to what we know
to what we see of breach & rupture
///
& then the Air Pollution Control Board omitted environmental
justice reviews/ health impacts
of gas turbines & the power corporation
refuted foundational narratives of Freedmen-founded & -built
so & the villagers went door-to-door & heirs & inheritors said their stories
they fought they fought
Flashy people may burlesque these things.
– Cotton Mather 1702
- & still & yet embraced
in the Western gaze in this black season of stone
-limned grottos/ in holy caves of combatants in fast
from liars & opportunists & from end back
to nurse & cradle adjuring the everything’s clemency
in the throb inhaled
with our every inhale/ exhaled – as ravening wolf
to cautious shepherd –
& though our pride’s brought low in this most enchanted
of countries – in howling wildernesses spectral creatures
make the most of lifting & carrying off women
& men & children & gales – bewitched & distracted bristling
& snarling our houses flattened
///
& as for this three hundred & forty-mile length of river
– & nearer me the Slate & the Hardware & Bear Creek – some three
thousand years before Europeanization
nomads hunted game & migrating birds along contiguous
streams indeed this James
– which name in Monacan is lost to us – has seen human life
for at least fifteen thousand years – long before
the Dutch & Spanish & English & the hawking
of all that shit to tourists at Monticello – moving season-to-
season following animal decampments
& spawning fishes & plants’ sproutings & flowerings
I’ve lived on this ridge
just thirty-five years – a miniscule fraction of its eons – still
colossal oaks delimit sheer precipices/ nine
in all rising forever as with bows & arrows rankless wraiths
stalk game & farm & make pottery – always on the lookout –
but winter’s come
again & it’s very cold now/ fires in the hearths & everything
is in question
– do you believe in the possibility of a biblical
Eden? before bellum omnium contra omnes
before a war of all against all – living below the fall line
or westerly to my Piedmont mine & yes this is personal
– once I hand dug a thirty-yard trench/ a land sculpture stretching
the riverbank’s length/ illuminated at dusk in blinking
Morse Code I’m here where are you –
& what do you suppose we were like in a so-called original
state of nature when the river was food & travel & all fertility
when the river was life itself
Every night the owl with his wild monkey-face calls through the black
branches, and the mice freeze and the rabbits shiver in the snowy fields
– Mary Oliver
- & still we lullaby trip-wired in the owl’s crepuscular
shriek/ our bones raw vole scraps in the rafters – consummate
Tyto alba’s vomit on the barn struts – from edgelands
of Athene noctua/ stripped from colors of sapphires/ flagged
in magic & mysteries & potentialities of the living & unliving
pretty things/ a golden canary perched
between thumb & forefinger
* we sauntered straight out of Africa *
* whose owls augur shamans & witchcraft & wizardry *
///
& yet this morning I heard on the radio the difference between
1.5 & 1.75 in average rising temperatures means
extinction & death & not only for us but for them
& yet it’s already here & the despairing
begins
Kiribati Maldives Fiji & Palau Micronesia Cabo Verde
Solomons &Tangier Sarichef Seychelles Torres Straight
& Cartaret Tuvalu & Marshalls all disappear
///
I am glad I shall never be young without wild country to be young in.
Of what avail are forty freedoms without a blank spot on the map?
– Aldo Leopold
- & yet as adit in its grievous cut lends
drain level linearize
let us patch & slip & blamelessly begin
again – emptied as neonate or scarcely – as pentimento
tracing Virga’s barely shower-stippled earth as dearth
reconsidered as weald unattended coyotes camp
beneath the crowning feast
limber up haunch & sup
& as the watering pot impersonates the heavens in night sky’s
brindling – tumbling galactic – poured stitch
by stitch in clannish quilters’ patterns: Swallow’s Flight
Ocean Waves Touching Stars as guardian angels
living in the beams of this old house
tympanum spandrel arch
in line-dried bliss or flat or round or hot-hammered strands
or polished slick as watered silk turned volte-
face to coal ash & bone or pleached & pruned as vagary to whim
* relict cherries in a bubble-glass flask *
* paired monogrammed silver spoons *
* foxed parchment daybooks & ledgers *
in lessons from deep down a Tidewater well heap
for wildness on impulse
for catamount/ puma/ panther predator to prey
absence to restoration/ resurrection inchoate
– as ghost tracks’ glint/ a shade crossing
an entirely unblemished snowfall –
as prophesy/ as recitation tutor
to disciple from heart-face ghost owl/ night owl
Abrahamic mystic decider of the fate of every rat & mouse
& gopher & pearly virgin nested in the sluice the tarn
from my larynx/ resort & consort from wanton
in declivity/ verge in hiatus as only unbound
can ever be – new lifted – from cavities borne
& resonant in concentric wreathes
of wondrous noetic harmonies