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Welcome to our reviews page, focusing on books predominantly featuring long poems or sequences.

 

Reviews

By Tiny Twisting Ways by Ian Davidson (Aquifer Press, 2021): Brightwork by Suzannah V. Evans (Guillemot Press, 2021): Second Memory by Pratyusha & Alycia Pirmohamed (Guillemot Press, 2021)

It might be interesting to speculate what answer in the spring of 1956 Charles Tomlinson might have given to the question concerning where poetry came from. He might well have … Continue reading »

War of the Beasts and The Animals, Maria Stepanova, translated by Sasha Dugdale, Bloodaxe, 2021

This is the first translation of the prominent and popular Russian poet Maria Stepanova’s poetry  into English, by the poet Sasha Dugdale, for Bloodaxe, and also coincides with the publication … Continue reading »

Tenter by Susie Campbell (Guillemot Press 2021), Sanchez Ventura by Simon Collings (Leafe Press 2021), The Dusty Angel by Vahni Capildeo (Oystercatcher 2021)

These three very different books explore the scope and capacity of the long poem form using subtly different techniques and approaches. The connections between the books and between the phrases, … Continue reading »

Two Girls and a Beehive: Poems about the art and lives of Stanley Spencer and Hilda Carline Spencer by Rosie Jackson & Graham Burchell. (Two Rivers Press, 2020)

‘One day, back in Cookham, he will turn this into pattern and meaning’ writes Rosie Jackson in ‘Macedonia, 1918’ from the collection Two Girls and a Beehive by Jackson and … Continue reading »

Robert Vas Dias, Poetics of Still Life: A Collage, Permanent Press, 2020.

According to a recent article in the Guardian (‘A picture of domestic bliss’, 7 Feb 2021) interest in still lifes has surged during the Covid-19 pandemic. This claim is based … Continue reading »

Let Me Tell You What I Saw by Adnan-al-Sayegh, edited and translated by Jenny Lewis with Ruba Abugaida (Seren, 2020).

Denise Levertov referred to ‘translations which truly appear to have ferried poetry safely across from language to language’[1] but the more distant the languages and cultures are from each other, … Continue reading »

Some Lives by Leeanne Quinn (Dedalus Press, 2020). The Day Laid Bare by Kiwao Nomura, translated by Eric Selland (Isobar Press, 2020).

Leeanne Quinn’s debut collection from 2012, Before You, contained a section of poems inspired by One Art: The Letters of Elizabeth Bishop. Bishop’s influence was apparent even from the vocabulary … Continue reading »

Road Trip by Marvin Thompson (Peepal Tree, 2020); The Caprices by James Byrne (Arc, 2019); Deformations by Sasha Dugdale (Carcanet, 2020)

The scope offered by the long poem form brings space and time to think, and that is the reward offered by all three collections. Marvin Thompson’s Road Trip, James Byrne’s … Continue reading »

‘Personal Archaeology’ by Ric Hool (Red Squirrel Press, 2020): ‘Tamám’ by Simon Everett (Litmus Publishing, 2020): ‘Isolated in Aber Cuawg’ by Harry Gilonis (Oystercatcher Press, 2020)

J.H. Prynne’s article, ‘Huts’, was published in 2008  by Textual Practice and it opened with a quotation from William Collins’s 1746 poem ‘Ode to Evening’:   Or if chill blustring … Continue reading »

Sexual damage and porcelain: Jane Joritz-Nakagawa ‘Plan B Audio’ (Isobar, 2020): Steven Hitchens ‘The Lager Kilns’ ( Aquifer, 2019)

Jane Joritz-Nakagawa’s Plan B Audio deploys a variety of poetic and narrative styles, often experimental, within an overwhelming context of disease and damage. Arranged as one long poem, with no … Continue reading »

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