LPM is recognised as a place to encounter the best of traditional and innovative new writing, with a prestigious and growing list of contributors.
LPM is invaluable in that it offers a unique home to poets who write at greater length but, more importantly, in that it publishes inspiring work of such high quality. What would poets do without it?
– Mimi Khalvati
Founded in 2008 by Anna Robinson, LPM grew out of a long poem workshop run by Mimi Khalvati. The magazine is published bi-annually, with launches in London at the Barbican library, and in Cambridge in association with the Fitzwilliam College Literary Society. Since its inception we have striven to publish an equal number of women and men and to foster a sense of community and engagement across languages, cultures and countries. We are keen to promote diversity of form and content: we are interested in both the traditional and the innovative, and aim to represent a diverse range of poets and poetic styles. We have published translations from 10 languages and host bi-lingual readings at our popular launches.
Over the last eight years we have published a rich selection of poems, including collaborative works between George Szirtes and Carol Watts, and between Elżbieta Wójcik-Leese and Scott Thurston. In issue five we paid tribute to the late Edwin Morgan and held a special reading of his previously unpublished poem, ‘Gilgamesh’, at the Glasgow Centre for Contemporary Art, hosted by the Scottish Association of Writers. More recently we have published work by Patience Agbabi, Mercedes Cebrián, Yang Lian and Adnan al-Sayegh, to name but a few. Each issue features an essay on some aspect of the long poem, for example Lucy Sheerman on Lyn Hejinian, Robert Vas Dias on Paul Blackburn and Ian Brinton on John Riley.
In our bid to target a higher proportion of Black, Asian and exiled writers, we are grateful to Nathalie Teitler at The Complete Works and Jennifer Langer at Exiled Writers Ink for their assistance and collaboration. We are excited to have formed a partnership with Modern Poetry in Translation, a journal we have long admired, and look forward to a fruitful alliance. We are especially grateful to Arts Council England for funding towards issues fifteen and sixteen, and hope you enjoy the benefits as much as we appreciate their support.
Visit the submissions page to find out how to contribute or the shop to buy issues and subscribe.
Who we are
Co-editor: Claire Crowther’s poems and reviews have appeared in journals including London Review of Books, , New Statesman, PN Review, Poetry Review, Poetry Wales, Shearsman, The Times Literary Supplement and also online at Long Poem Magazine, Blackbox Manifold, Molly Bloom, Qualm. Her poems have been widely anthologised including in The Best British Poetry 2013 edited by Ahren Warner (Salt, 2013) and The Best British Poetry 2015 edited by Emily Berry (Salt, 2015). She has published three pamphlets and three full collections and was shortlisted for the Aldeburgh Best First Collection prize. As an undergraduate at Manchester University, she won the Shakespeare Scholarship and the George Gissing Memorial Prize in English Literature. She was awarded a bursary by Kingston University to complete her second book. Claire Crowther was poet in residence at the Royal Mint Museum during 2014-2015. Her resulting pamphlet Bare George was published in June 2016.
Co-editor: Linda Black is a poet, a visual artist ( printmaker, collagist, painter) and a dyslexia specialist. She received the 2004/5 Poetry School Scholarship and won the 2006 New Writing Ventures Poetry Award. Her pamphlet The beating of wings (Hearing Eye, 2006) was the PBS Pamphlet Choice for Spring 2007, when she also received an Arts Council Writer’s Award. She runs workshops and teaches for the Poetry School. Her poems have featured in many journals and anthologies. Recent collage/ text pieces can be found online at http://www.3ammagazine.com/3am/brut37/ and in Issue 2 of https://www.tentacularmag.com/ Her fourth collection, Slant, was published by Shearsman in April 2016. Her previous collections are , Root and Inventory (Shearsman 2011 & 2008). The Son of a Shoemaker, ( Hearing Eye, 2012) consisting of collaged prose poems based on the early life of Hans Christian Andersen, plus the author’s pen and ink illustrations, was the subject of an exhibition at The Poetry Society in 2013.
Magazine design: Martin Parker www.silbercow.co.uk